Erotic audio with a haptic score composed underneath it. Press play and
the score runs on your own toy, in time with the voice in your ears, with nothing to
install, nothing to line up by hand.
A project made by a pleasure, audio and toy enthusiast, seeing where it goes.
One person builds and runs it: the site, the moderation, the
replies. The servers, the storage and the tooling come out of her own pocket, as
they have since the first day. More about who makes this →
You do not need a toy
Most of the catalogue is audio, and it is audio first. A haptic score is a
layer some works carry on top, and when one does, it says so on the card.
How to connect one →
Listening is free, and there is nothing to buy
No card, no account needed to browse or play. If that ever changes it will
be said plainly, in advance.
You are told what is in it first
Content warnings sit above the play button, never below it, and you can
narrow a search away from the things you cannot have.
Your listening is not a profile
Plays are counted by browser and never tied to your account. There is no
listening history here to hand to anyone. Pairing a toy over Bluetooth never
leaves your machine; the iPhone route relays through Lovense instead, and the
page tells you which one you are on.
Write the haptics yourself, under your own voice
The track a listener's toy follows is composed lane by lane against your
recording: by you, hearing the words, not generated from the audio. The
tools to do that have never been something a voice could just pick up. Here
they are, and they are free. What Score Studio is →
A free place to put your work
Upload audio, publish a script, share a pattern. Nothing here earns anyone
anything today, and it may never. Dreaming, but only doing it as long as it's fun.
A person checks it before it publishes
Every piece of audio gets listened to. Writing is read too, until you have a
few published. After that it stops getting in your way. A refusal comes with a
reason and a way back in, not a dead end.
Your terms travel with your writing
Say who may record what you write: anyone, ask me first, or nobody. And that
answer follows the script wherever a voice takes it.
Built the way GWA already works
Pairing notation, open tags, scripts that read the way they were written, and
fills credited to the writer, the conventions you already use, not new ones to
learn.